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Seize the Day

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SEIZE THE DAY: EXHIBITIONS, AUSTRALIA AND THE WORLD
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Seize the Day can also be purchased in print from Sydney University Press.

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Preliminaries


 
 Information about Full text, PDF and PDF Plus

 
 Editors' acknowledgments

Setting the Scene


 
 'Seize the day'
Exhibiting Australia

Part One: Displaying Colonialism

Indigenous cultures on display


 
'The productions of Aboriginal states'
Australian Aboriginal and settler exhibits at the Paris Universal Exhibition of 1855

 
Race and Australian national identity at the 1866-67 Intercolonial Exhibition

 
'We think that this subject of the native races should be thoroughly gone into at the forthcoming Exhibition'
The 1866-67 Intercolonial Exhibition

Colonial case studies


 
Hidden treasure
Exhibiting Western Australia, 1860-90

 
'Within her own boundaries'
Queensland's first 'at home' intercolonial exhibition

Material culture


 
Scientific and public duties
Ferdinand Mueller's forest contributions to exhibitions and a museum

 
International exhibition postcards
Tangible reflections of an ephemeral past

Complements


 
The exhibitionary complex personified
Melbourne's nineteenth century displays and the mercurial Dr LL Smith

 
Fundraising through fancywork
Grand bazaars in Melbourne at the end of the nineteenth century

 
'Curiosities and rare scientific instruments'
Colonial conversazioni  in Australia and New Zealand in the 1870s and 1880s

Part Two: Nationalism and Modernity

National identities


 
'How like England we can be'
The Australian international exhibitions in the nineteenth century

Women and exhibitions


 
'Surmounted by stuffed sheep'
Exhibitions and Empire in nineteenth-century Australian women's fiction

 
'Common neutral ground'
Feminising the public sphere at two nineteenth-century Australian exhibitions of women's work

Artistic pursuits


 
Tom Roberts, Ellis Rowan and the struggle for Australian art at the great exhibitions of 1880 and 1888

 
Aestheticism and empire
The Grosvenor Gallery Intercolonial Exhibition in Melbourne, 1887

 
Adelaide's Federal Art Exhibitions 1898-1923

Modernism, art and design


 
Power and modernity
A photo essay on the Centenary All-Electricity Exhibition, 1935

 
A colonial legacy
Australian Painting at the Tate Gallery, London, 1963

 
'A significant mirror of progress'
Modernist design and Australian participation at Expo '67 and Expo '70

Postscript


 
New directions for scholarship about world expos

Index


 
 Index of exhibitions cited